Monday, November 3, 2014

Page 249 (11.140-180) "She sipped... to greaseabloom."


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She sipped distastefully her brew, hot tea, a sip, sipped sweet tea.

(if they added milk how is it still hot?)


— Here he was, Miss Douce said, cocking her bronze head three quarters, ruffling her nosewings. Hufa! Hufa!

mimicry motif


Shrill shriek of laughter sprang from Miss Kennedy's throat. Miss Douce huffed and snorted down her nostrils that quivered imperthnthn like a snout in quest.

a fox burying its grandmother?

pig rooting for truffles??


— O! shrieking, Miss Kennedy cried. Will you ever forget his goggle eye?

he ogled them, but was too unattractive to get away with flirting


Miss Douce chimed in in deep bronze laughter, shouting:

— And your other eye!

(there's an unresolved nuance here, i think-- could they be joking about their genitals???)

Marie Lloyd made her 'Wink the Other Eye' song scandalous by the way she winked, the lyrics hint that so-called 'other-eye' winks somehow signal scandalous intent

the tune has outlasted the lyrics

midi??


lyrics and sheetmusic


cf


Bloowhose dark eye read Aaron Figatner's name. Why do I always think Figather? Gathering figs I think. And Prosper Loré's huguenot name. By Bassi's blessed virgins Bloom's dark eyes went by. Bluerobed, white under, come to me. God they believe she is: or goddess. Those today. I could not see. That fellow spoke. A student. After with Dedalus' son. He might be Mulligan. All comely virgins. That brings those rakes of fellows in: her white.

59yo in 1911

Bassi's virgins vs Ceppi's (below)?


cf BM on LB, p192: "His pale Galilean eyes were upon her mesial groove."


By went his eyes. The sweets of sin. Sweet are the sweets.



Of sin.



In a giggling peal young goldbronze voices blended, Douce with Kennedy your other eye. They threw young heads back, bronze gigglegold, to let freefly their laughter, screaming, your other, signals to each other, high piercing notes.



Ah, panting, sighing. Sighing, ah, fordone their mirth died down.

fordone = undone


Miss Kennedy lipped her cup again, raised, drank a sip and gigglegiggled. Miss Douce, bending again over the teatray, ruffled again her nose and rolled droll fattened eyes. Again Kennygiggles, stooping her fair pinnacles of hair, stooping, her tortoise napecomb showed, spluttered out of her mouth her tea, choking in tea and laughter, coughing with choking, crying:

napecomb?


— O greasy eyes! Imagine being married to a man like that, she cried. With his bit of beard!

(again, not Bloom)

goggle eye + greasy nose → greasy eyes


Douce gave full vent to a splendid yell, a full yell of full woman, delight, joy, indignation.

(high praise-- cf Nora?)


— Married to the greasy nose! she yelled.



Shrill, with deep laughter, after bronze in gold, they urged each other to peal after peal, ringing in changes, bronzegold, goldbronze, shrilldeep, to laughter after laughter. And then laughed more. Greasy I knows. Exhausted, breathless, their shaken heads they laid, braided and pinnacled by glossycombed, against the counterledge. All flushed (O!), panting, sweating (O!), all breathless.

I knows = eye nose (FW anticipated)


Married to Bloom, to greaseabloom.

(did Molly err, then?)



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Page 248 (11.102-139) "Bloom. On her... Concert Rooms."


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Bloom.

(he's slowly approaching, his motif/themes being hinted gradually)


On her flower frowning Miss Douce said:



— Most aggravating that young brat is. If he doesn't conduct himself I'll wring his ear for him a yard long.



Ladylike in exquisite contrast.



— Take no notice, Miss Kennedy rejoined.



She poured in a teacup tea, then back in the teapot tea. They cowered under their reef of counter, waiting on footstools, crates upturned, waiting for their teas to draw. They pawed their blouses, both of black satin, two and nine a yard, waiting for their teas to draw, and two and seven.

stirring without wasting a spoon
"draw" = to leave temporarily so as to allow the flavour to increase (probably loose tea, not bags)

they've compared the deals they got on the fabric for their blouses (both about $17 now, just $1 difference)


Yes, bronze from anear, by gold from afar, heard steel from anear, hoofs ring from afar, and heard steelhoofs ringhoof ringsteel.



— Am I awfully sunburnt?



Miss bronze unbloused her neck.



— No, said Miss Kennedy. It gets brown after. Did you try the borax with the cherry laurel water?



Miss Douce halfstood to see her skin askance in the barmirror gildedlettered where hock and claret glasses shimmered and in their midst a shell.

(what shell?)


— And leave it to my hands, she said.

...to get sunburnt


— Try it with the glycerine, Miss Kennedy advised.



Bidding her neck and hands adieu Miss Douce



— Those things only bring out a rash, replied, reseated. I asked that old fogey in Boyd's for something for my skin.

another partial anticipation of Bloom, at a drugstore they both use


Miss Kennedy, pouring now a fulldrawn tea, grimaced and prayed:

— O, don't remind me of him for mercy' sake!



— But wait till I tell you, Miss Douce entreated.



Sweet tea Miss Kennedy having poured with milk plugged both two ears with little fingers.

(how "Sweet"?)

cf the fingers of the girl in Thornton's?


— No, don't, she cried.

— I won't listen, she cried.

same speaker


But Bloom?

Joyce forces us to confuse the fogey with Bloom


Miss Douce grunted in snuffy fogey's tone:

— For your what? says he.

mild sexual harrassment, failed flirtation


Miss Kennedy unplugged her ears to hear, to speak: but said, but prayed again:

("prayed"? ie, asked)


— Don't let me think of him or I'll expire. The hideous old wretch! That night in the Antient Concert Rooms.

the fogey was overly familiar in public based purely on their business acquaintance



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Sunday, November 2, 2014

Page 247 (11.65-101) "crossblind of the Ormond... as he had come."


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crossblind of the Ormond bar heard the viceregal hoofs go by, ringing steel.



— Is that her? asked Miss Kennedy.



Miss Douce said yes, sitting with his ex, pearl grey and eau de Nil.

his excellency

color range


— Exquisite contrast, Miss Kennedy said.

trying to sound educated


When all agog Miss Douce said eagerly:



— Look at the fellow in the tall silk.



— Who? Where? gold asked more eagerly.



— In the second carriage, Miss Douce's wet lips said, laughing in the sun. He's looking. Mind till I see.



She darted, bronze, to the backmost corner, flattening her face against the pane in a halo of hurried breath.

(very speculative)


Her wet lips tittered:

— He's killed looking back.

cf Odysseus, tormented by the sirens' song, struggling against the bonds that secure him to the mast


She laughed:

— O wept! Aren't men frightful idiots?

cf 'Jesus wept'


With sadness.



Miss Kennedy sauntered sadly from bright light, twining a loose hair behind an ear. Sauntering sadly, gold no more, she twisted twined a hair. Sadly she twined in sauntering gold hair behind a curving ear.

"gold no more" because she's moved "from bright light"

themes and variations


— It's them has the fine times, sadly then she said.



A man.





Bloowho went by by Moulang's pipes, bearing in his breast the sweets of sin, by Wine's antiques in memory bearing sweet sinful words, by Carroll's dusky battered plate, for Raoul.

we last saw Bloom renting 'Sweets of Sin' at an unspecified bookstore, maybe under Merchant's arch, maybe Strong's (but it's now west?)

he's a block west of Merchant's arch; the cavalcade would have been visible in the distance crossing Grattan bridge
streetview now
1909 map

26yo Jew in 1901


The boots to them, them in the bar, them barmaids came. For them unheeding him he banged on the counter his tray of chattering china. And

boots = shoeshine/ errand boy
Charles Selby: 'Boots at the Swan' (one-act farce may have influenced Finnegans Wake; put on at Clongowes in 1890, when Joyce was there; the 'boots' is Jacob Earwig, is deaf, impersonates a policeman, gets locked in a closet after drinking too much, thumps loudly at the door, etc.)

(why no punctuation after "And"?)


— There's your teas, he said.



Miss Kennedy with manners transposed the teatray down to an upturned lithia crate, safe from eyes, low.

a popular health fad [wiki]


— What is it? loud boots unmannerly asked.



— Find out, Miss Douce retorted, leaving her spyingpoint.



— Your beau, is it?



A haughty bronze replied:



— I'll complain to Mrs de Massey on you if I hear any more of your impertinent insolence.

40yo widow w/Irish&English in 1901


— Imperthnthn thnthnthn, bootsnout sniffed rudely, as he retreated as she threatened as he had come.

he resents that she thinks she's above him



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Page 246 (11.29-64) "Goodgod... head, over the"


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Goodgod henev erheard inall.

cf T&I5: "That mouth of mandibles vowed to pure beauty promptly elocutionised to her a favourite lyrical bloom bellclear in iambic decasyllabic hexameter: —Rollon thoudeep andamp anddark blueo ceanroll!"

trot?



Deaf bald Pat brought pad knife took up.



A moonlight nightcall: far: far.

oboe:


I feel so sad. P.S. So lonely blooming.

mp3:

'Last rose'


Listen!



The spiked and winding cold seahorn. Have you the? Each and for other plash and silent roar.



Pearls: when she. Liszt's rhapsodies. Hissss.

[2hr]



You don't?



Did not: no, no: believe: Lidlyd. With a cock with a carra.



Black.



Deepsounding. Do, Ben, do.




Wait while you wait. Hee hee. Wait while you hee.

mp3:


But wait!



Low in dark middle earth. Embedded ore.

Rheingold:


cf p232: "Born all in the dark wormy earth, cold specks of fire, evil lights shining in the darkness. Where fallen archangels flung the stars of their brows. Muddy swinesnouts, hands, root and root, gripe and wrest them."

double bass:


Naminedamine. Preacher is he.

mp3:

'Croppy boy'


All gone. All fallen.

mp3:


Tiny, her tremulous fernfoils of maidenhair.

triangle?


Amen! He gnashed in fury.

mp3:


Fro. To, fro. A baton cool protruding.



Bronzelydia by Minagold.



By bronze, by gold, in oceangreen of shadow. Bloom. Old Bloom.



One rapped, one tapped, with a carra, with a cock.




Pray for him! Pray, good people!

mp3:


His gouty fingers nakkering.

castanets:


Big Benaben. Big Benben.

Big Ben bells:


Last rose Castile of summer left bloom I feel so sad alone.

mp3:


Pwee! Little wind piped wee.

piccolo?


True men. Lid Ker Cow De and Doll. Ay, ay. Like you men. Will lift your tschink with tschunk.


'clink'


Fff! Oo!



Where bronze from anear? Where gold from afar? Where hoofs?



Rrrpr. Kraa. Kraandl.



Then, not till then. My eppripfftaph. Be pfrwritt.

fart:


Done.



Begin!



Bronze by gold, Miss Douce's head by Miss Kennedy's head, over the

real people?



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[Sirens songs]

11.9 "Idolores"
11.226 "— O, Idolores, queen of the eastern seas"
11.379 "Idolores. The eastern seas"
11.383-84 "Fair one of Egypt... Look to the west... For me"
11.518 "Idolores, a queen, Dolores"
11.734 "Dolores shedolores"
11.1132 "Dolor! O, he dolores!"

 'Florodora' sung by Frank as he parts from his lover in the Philippines, heading back to England: (the green highlighted section is echoed various places in the text)

There is a garden fair
Set in an Eastern sea,
There is a maid keeping her tryst with me
In the shade of the palm,
With a lover's delight,
Where 'tis ever the golden day,
Or a silvery night;
How can I leave her alone in this dream of sweet Arcadia--
How can I part from her for lands away?
In this valley of Eden,
Fairest isle of the sea,
Oh, my beloved, bid me to stay
In this fair land of Eden,
Bid me beloved to stay.

There is an island fair,
Girt by a Western sea;
Dearest, 'tis there
One day thou'lt go with me.
'Neath the glorious moon
Hand in hand we will roam,
Hear the nightingale song of June,
In the dear Land of Home!
There, dearest heart, will the past but seem an idle vision
Nought but a dream that fadeth fast away,
And the songs we were singing, in Elysian vales
Seem but a carol of yesterday.
Happy songs we were singing,
Songs of a bygone day.

Oh my Dolores Queen of the Eastern sea!
Fair one of Eden, look to the West for me!
My star will be shining, love, when you're in the moonlight calm,
So be waiting for me by the Eastern sea in the shade of the shelt'ring palm.


 music by
Leslie Stuart, book by Owen Hall, lyrics by E. Boyd-Jones and Paul Rubens. The opera takes place on a South Sea island that produces Floradora, a world-famous perfume. Idolores, the
beautiful and flirtatious heroine, is being pursued (and spoiled) by a host of men, including the nasty villain, but her eventual salvation is ensured when she falls in love with Frank Abercoed (surprisingly enough, a lord in disguise). At the end of Act I they pledge their love, even though they have to part, and Abercoed sings
"The Shade of the Palm." Refrain: "Oh Idolores, queen of the eastern sea, I Fair one of Eden look to the West for me, I My star will be shining, love, I When you're in the moonlight calm, I So be waiting for me by the Eastern sea, I In the shade of the sheltering palm."


11.6 "Blew, Blue bloom is on the"

11.230 "Blue Bloom is on the rye."
11.390 "rye bloom"
11.1126-27 "O'er ryehigh blue. Bloom"

My pretty Jane, my pretty Jane!
Ah! never, never look so shy,
But meet me, meet me in the ev'ning,
When the bloom is on the rye.
The Spring is waning fast, my love,
The corn is in the ear,
The summer nights are coming, love,
The moon shines bright and clear;
Then pretty Jane, my dearest Jane,
Ah! never look so shy,
But meet me, meet me in the ev'ning,
When the bloom is on the rye.

But name the day, the wedding day,
And I will buy the ring,
The lads and maids in favors white,
And village bells shall ring.


11.13 "Decoy. Soft word. But
look: the bright stars fade. Notes chirping
answer"
11.14  "O rose! Castile. The mom
is breaking"
11.18 "Sweetheart, goodbye"

11.320-425 "The bright stars fade... the morn is breaking...  The dewdrops pearl.... And I from thee... To Flora's lips did hie... I could not leave thee... Sweetheart, goodbye!"

11.1109 "The bright stars fade... The morn"
 11.1109 "O rose! Castile"
11.1271 "last rose of summer...rose of Castile"

from 'Goodbye, Sweetheart, Goodbye'

The bright stars fade, the morn is breaking,
The dewdrops pearl each bud and leaf,
And I from thee my leave am taking,
With bliss too brief, with bliss, with bliss too brief.
How sinks my heart with fond alarms,
The tear is hiding in mine eye,
For time doth tear me from thine arms,
Goodbye, sweetheart, goodbye,
Goodbye, sweetheart, goodbye,
For time doth tear me from thine arms,
Goodbye, sweetheart, goodbye.

The sun is up, the lark is soaring,
Loud swells the song of chanticleer,
Yet I am here, yet I, yet I am here.
For since night's gems from heav'n do fade,
And morn to floral lips doth hie,
I could not leave thee though I said
Goodbye, sweetheart, goodbye,
Goodbye, sweetheart, goodbye,
I could not leave thee though I said
Goodbye, sweetheart, goodbye


11.20 "When love absorbs. War! War! "
 11.459 "Love and War"
11.530, 551-52 "When love absorbs my ardent soul... my ardent soul / I care not foror the morrow"
11.532 "War! War! . . . You're the warrior" 

lyrics:

Lover (tenor):
When Love absorbs my ardent soul,
I think not of the morrow;
Beneath his sway years swiftly roll,
True lovers banish sorrow,
By softest kisses, warm'd to blisses,
Lovers banish sorrow,
By softest kisses, warm'd to blisses,
Lovers banish sorrow.

Soldier (bass):
While war absorbs my ardent soul,
I think not of the morrow;
Beneath his sway years swiftly roll,
True Soldiers banish sorrow,
By cannon's rattle, rous'd to battle,
Soldiers banish sorrow,
By cannon's rattle, rous'd to battle,
Soldiers banish sorrow.

Together:
Since Mars lov'd Venus, Venus Mars,
Let's blend love's wounds with battle's scars,
And call in Bacchus all divine,
To cure both pains with rosy wine,
To cure both pains with rosy, rosy wine.
And thus, beneath his social sway,
We'll sing and laugh the hours away.


11.24 "When first he saw. Alas!"
11.27 "Martha! Come!"
11.587, 594-95 "M' appari... M' appari cutt' amor... II mio sguardo l'incontr..."
11.665-751 "When first I saw... To me!"
11.802 "Thou lost one"
11.1187, 11.1210 "SimonIionel first I saw"
11.1253-54 "When first he saw that form endearing"

1906 Enrico Caruso
this piece was used in the movies 'Other Voices, Other Rooms' and 'The Grey Fox')

Simon sings substitute English lyrics by Charles Jeffreys:

When first I saw that form endearing
Sorrow from me seemed to depart:
Each graceful look, each word so cheering
Charmed my eye and won my heart.
Full of hope, and all delighted,
None could feel more blest than I;
All on Earth I then could wish for
Was near her to live and die:
But alas! 'twas idle dreaming,
And the dream too soon hath flown;
Not one ray of hope is gleaming;
I am lost, yes I am lost for she is gone.
When first I saw that form endearing
Sorrow from me seemed to depart:
Each graceful look, each word so cheering
Charmed my eye and won my heart.
Martha, Martha, I am sighing
I am weeping still, for thee,
Come thou lost one,
Come thou dear one,
Thou alone can'st comfort me:
Ah Martha return! Come to me!


11.21? "A sail! A veil awave upon the waves."
11.590 "A Last Farewell"
11.591 "A lovely girl, her veil awave upon the wind "


We weighed our anchor to our bow,
Likewise our maintop sail,
Away down the Firth and away we went,
With a soft and pleasant gale;
Away down the Firth and away we went,
For our decks had all been clear,
'Twas then I took the last farewell
Of the girl I loved so dear.


11.22 "Lost. Throstle fluted. All is lost now."
 11.629, 11.635 "All is lost now"
11.1242 "All is lost now"

in Bellini's Italian [qv] Tutto è Sciolto (a title Joyce used in Pomes Penyeach: qv)

All is lost now,
By all hope and joy am I forsaken.
Nevermore can love awaken
Past enchantment, no, nevermore.


 11.725 "Waiting"

lyrics:

The stars shine on his pathway,
The trees bend back their leaves
To guide him to the meadow
Among the golden sheaves
Where I stand longing, loving
And listening as I wait
To the nightingale's wild singing,
Sweet singing to its mate,
Singing, singing, sweet singing to its mate.

The breeze comes sweet from heaven,
And the music in the air
Heralds my lover's coming,
And tells me he is there,
Come for my arms are empty!
Come for the day was long!
Turn the darkness into glory,
The sorrow into song.
I hear his footfalls' music,
I feel his presence near.
All my soul responsive answers
And tells me he is here.

O stars-- shine out your brightest!
O night-- ingale, sing sweet
To guide-- him to me, waiting
And speed his flying feet,
To guide-- him to me, waiting
And speed his flying feet.

ZB cites these less-likely lyrics:

I look from my window upon the dull street,
The wind and the rain on the marketplace beat;
I sigh from my heart for my love tarries long,
With his sheep, and his goats, and his cattle so strong.
My love in the mountains I'm waiting for thee,
O that from this bondage my poor heart were free!

My love to the market his cattle will bring,
And then 'neath my window a song he will sing;
A song which will tell me the time has now come,
To go with my love to his wild mountain home.
I care not for guardian, nor sister, nor friend,
But by my love's side I my footsteps will wend.

11.727 "in old Madrid"

[GIF of music] lyric excerpts:

Long years ago, in old Madrid,
Where softly sighs of love the light guitar,
Two sparkling eyes a lattice hid,
Two eyes as darkly bright as love's own star!
There on the casement ledge, when day was o'er,
A tiny hand was lightly laid;
A face look'd out, as from the river shore,
There stole a tender serenade.
Rang the lover's happy song,
Light and low from shore to shore,
But ah, the river flowed along
Between them evermore,
Come my love, the stars are shining,
Time is flying, love is sighing,
Come, for thee a heart is pining,
Here alone I wait for thee.

Far, far away from old Madrid,
Her lover fell, long years ago, for Spain;
A convent veil those sweet eyes hid,
And all the vows that love had sigh'd were vain!
But still, between the dusk and night, 'tis said,
Her white hand opes the lattice wide,
The faint sweet echo of that serenade
Floats weirdly o'er the misty tide!



11.779-82 "'Twas rank and fame... since love lives not" 

from Balfe's 'Rose of Castile':

'Twas rank and fame that tempted thee,
'Twas empire charmed thy heart...
But love was wealth, the world to me,
Then, false one, let us part;
The prize I fondly deem'd my own,
Another's now may be;
For ah! with love, life's gladness flown,
Leaves grief to wed, to wed with me;
With love, life's gladness flown,
Leaves grief alone to me.

'Tho lowly bred, and humbly born,
No loftier heart than mine;
Unlov'd by thee my pride would scorn
To share the crown that's thine;
I sought no empire save the heart,
Which mine can never be;
Then false one, we had better part,
Since love lives not, lives not in thee,
Since love lives not in thee;
Yes! false one, better part,
Since love lives not in thee.

11.788 "We never speak"

lyric:

The spell is past, the dream is o'er,
And tho' we meet, we love no more,
One heart is crushed to droop and die,
And for relief must heavenward fly.
The once bright smile has faded, gone,
And given way to looks forlorn!
Despite her grandeur's wicked flame,
She stoops to blush beneath her shame.

[chorus] We never speak as we pass by,
Altho' a tear bedims her eye;
I know she thinks of her past life,
When we were loving man and wife.

In guileless youth I sought her side,
And she became my virtuous bride,
Our lot was peace, so fair so bright,
One summer day, no gloomy night,
No life on earth more pure than ours
In that dear home midst field and flowers
Until her tempter came to Nell,
It dazzled her, alas! she fell. [chorus]

In gilded hall, midst wealth she dwells,
How her heart aches, her sad face tells,
She fain would smile, seem bright and gay,
But conscience steals her peace away,
And when the flatt'rer cast aside,
My fallen and dishonored bride,
I'll close her eyes in death, forgive,
And in my heart her name shall live. [chorus]


11.39 "Deepsounding. Do, Ben, do."
11.40 "Wait while you wait. Hee hee. Wait while you hee."
11.42 "Low in dark middle earth. Embedded ore. Naminedamine. All gone. All fallen."
11.46 "Amen! He gnashed in fury."
11.51 "Pray for him! Pray, good people!"
 11.991 "The Croppy Boy"
11.992 "Good men and true"
11.1009 "The priest he sought... speak a word" 
 11.1016-17 "The priest's at home... The holy father"
 11.1020-22 "the youth had entered... sitting to shrive"
 11.1032-33 "In nominie Domini... confessing: mea culpa"
 11.1040-43 "Since easter he had... had not prayed"
 11.1063-65 "All gone. All fallen... name and race"
11.1068 "He bore no hat"
11.1072 "My country above the king"
11.1074 "Bless me, father...  let me go "

 11.1081-82 "The false priest... yeoman captain"
11.1097-99 "With hoarse rude fury... to live, your last"
11.1105-6 "On yonder river"
11.1120 "I hold this house... Traitors swing"
11.1131-32 "At Geneva barrack... was his body laid"
11.1139-41 "Pray for him... was the croppy boy"
11.1244 "nominedomine"
11.1248-49 "Breathe a prayer... a yeoman cap"

11.1273 "A youth entered a lonely Ormond hall"
lyric:

"Good men and true! in this house who dwell,
To a stranger bouchal I pray you tell
Is the priest at home? or may he be seen?
I would speak a word with Father Green."

"The Priest's at home, boy, and may be seen:
'Tis easy speaking with Father Green;
But you must wait, till I go and see
If the holy father alone may be."

The youth has entered an empty hall--
What a lonely sound has his light foot-fall!
And the gloomy chamber's still and bare,
With a vested Priest in a lonely chair.

The youth has knelt to tell his sins;
"Nomine Dei," the youth begins:
At "mea culpa" he beats his breast,
And in broken murmurs he speaks the rest.

"At the siege of Ross did my father fall,
And at Gorey my loving brothers all.
I alone am left of my name and race,
I will go to Wexford and take their place."

"I cursed three times since last Easter day--
At mass-time once I went to play:
I passed the churchyard one day in haste,
And forgot to pray for my mother's rest.

"I bear no hate against living thing;
But I love my country above my King.
Now, Father bless me, and let me go
To die in battle, if God has ordained it so."

The Priest said nought, but a rustling noise
Made the youth look above in wild surprise;
The robes were off, and in scarlet there
Sat a yeoman captain with fiery glare.

With fiery glare and with fury hoarse,
Instead of blessing, he breathed a curse:
"'Twas a good thought, boy, to come here and shrive,
For one short hour is your time to live."

"Upon yon river three tenders float,
The Priest's in one, if he isn't shot--
We hold this house for our Lord and King,
And, Amen! say I, may all traitors swing!"

At Geneva Barrack that young man died,
And at Passage they have his body laid.
Good people who live in peace and joy,
Breathe a prayer and a tear for the Croppy boy.



 11.32 "I feel so sad. P. S. So lonely blooming."
11.54 "Last rose Castile of summer left bloom I feel so sad alone."
11.1176 "The Last Rose of Summer"
11.1220-21 "one last, one lonely, last sardine of summer"

'Tis the last rose of summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
Or give sigh for sigh.

I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter,
Thy leaves o'er the bed,
Where thy mates of the garden
Lie scentless and dead.

So soon may I follow,
When friendships decay,
And from Love's shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?

Page 245 (11.1-28) "Bronze by gold heard... Clappyclap."


editions: [1922] [html] [archv]
notes: [Th] [G&S] [Dent] [] [wbks] [rw] [images] [hyper]
Delaney: [0] Useen: [] [cp] maps: [other] [*]

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[mp3s source]


Bronze by gold heard the hoofirons, steelyringing.

cymbals:


Imperthnthn thnthnthn.

could this suggest a kazoo?
 

comb-and-tissue-paper goes back at least to 1869

(but why give it such prominence?)


Chips, picking chips off rocky thumbnail, chips.

(?Budgen says Joyce found this image hardest to choose)

snare drum:


Horrid! And gold flushed more.



A husky fifenote blew.

train-whistle:

flute:


Blew. Blue bloom is on the.


mp3:

'Bloom is on the rye'

french horn:


Gold pinnacled hair.




A jumping rose on satiny breast of satin, rose of Castile.


viola:


Trilling, trilling: Idolores.

mp3:

flute:

"Idolores"


Peep! Who's in the... peepofgold?

flute:


Tink cried to bronze in pity.



And a call, pure, long and throbbing. Longindying call.

tuning fork:

cello:


Decoy. Soft word. But look! The bright stars fade. Notes chirruping answer. O rose! Castile. The morn is breaking.

the word "Decoy" needs better explication

mp3:

The bright stars fade


Jingle jingle jaunted jingling.

sleigh bells:

Boylan arrives and leaves by jaunting car with jingling springs


Coin rang. Clock clacked.

coin:

clock:


Avowal. Sonnez. I could. Rebound of garter. Not leave thee. Smack. La cloche! Thigh smack. Avowal. Warm. Sweetheart, goodbye!

elastic:

mp3:


Jingle. Bloo.



Boomed crashing chords. When love absorbs. War! War! The tympanum.

midi:

sheetmusic

bass drum:


A sail! A veil awave upon the waves.

'Last farewell' sheetmusic

cliche

Lost. Throstle fluted. All is lost now.

mp3:

Tutto e sciolto

cf p90: "Beautiful on that tre her voice is: weeping tone. A thrust. A throstle. There is a word throstle that expresses that."


Horn. Hawhorn.

braying trumpet:


When first he saw. Alas!

mp3:

"When first I saw"


Full tup. Full throb.

full stop?


Warbling. Ah, lure! Alluring.

synthesized warble:


Martha! Come!

Caruso:

"Come thou lost one"


Clapclop. Clipclap. Clappyclap.

woodblocks:



mysteries:


[DD]

[IM]

[LV1]

[LV2]


sirens: 245246247248249250251252253254255256257258259260261262263264265266267268269270271272273274275276277278279


Saturday, November 1, 2014

Episode 11, Sirens



overlaps:

Ormond/cavalcade
Bloom
Simon
Dollard
Cowley
Goulding
Lenehan
Boylan
Kernan
Love?
stripling

missing:
Stephen
Mulligan
Haines
Conmee
Corny
sailor
Artifoni
Dedalus girls
Maginni
Tisdall Farrell
Patsy Dignam
Cunningham
Power
Miss Dunne
Gerty
O'Molloy
Hugh Love
Lambert