Page 263 (11.677-713) "lives. Good... song. Lovely"

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lives. Good, good to hear: sorrow from them each seemed to from both depart when first they heard. When first they saw, lost Richie Poldy, mercy of beauty, heard from a person wouldn't expect it in the least, her first merciful lovesoft oftloved word.



Love that is singing: love's old sweet song. Bloom unwound slowly the elastic band of his packet. Love's old sweet sonnez la gold. Bloom wound a skein round four forkfingers, stretched it, relaxed, and wound it round his troubled double, fourfold, in octave, gyved them fast.


twangs:


— Full of hope and all delighted...



Tenors get women by the score. Increase their flow. Throw flower at his feet when will we meet? My head it simply. Jingle all delighted. He can't sing for tall hats. Your head it simply swurls. Perfumed for him. What perfume does your wife? I want to know. Jing. Stop. Knock. Last look at mirror always before she answers the door. The hall. There? How do you? I do well. There? What? Or? Phial of cachous, kissing comfits, in her satchel. Yes? Hands felt for the opulent.

Alas! The voice rose, sighing, changed: loud, full, shining, proud.



— But alas, 'twas idle dreaming...



Glorious tone he has still. Cork air softer also their brogue. Silly man! Could have made oceans of money. Singing wrong words. Wore out his wife: now sings. But hard to tell. Only the two themselves. If he doesn't break down. Keep a trot for the avenue. His hands and feet sing too. Drink. Nerves overstrung. Must be abstemious to sing. Jenny Lind soup: stock, sage, raw eggs, half pint of cream. For creamy dreamy.

(Stephen has just told AA he won't pursue a singing career)

recipe


Tenderness it welled: slow, swelling. Full it throbbed. That's the chat. Ha, give! Take! Throb, a throb, a pulsing proud erect.



Words? Music? No: it's what's behind.



Bloom looped, unlooped, noded, disnoded.



Bloom. Flood of warm jimjam lickitup secretness flowed to flow in music out, in desire, dark to lick flow, invading. Tipping her tepping her tapping her topping her. Tup. Pores to dilate dilating. Tup. The joy the feel the warm the. Tup. To pour o'er sluices pouring gushes. Flood, gush, flow, joygush, tupthrop. Now! Language of love.



— ...ray of hope is...



Beaming. Lydia for Lidwell squeak scarcely hear so ladylike the muse unsqueaked a ray of hopk.



Martha it is. Coincidence. Just going to write. Lionel's song. Lovely

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Page 262 (11.640-676) "Touch water... each his remembered"

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Touch water. Jingle jaunty. Too late. She longed to go. That's why. Woman. As easy stop the sea. Yes: all is lost.



— A beautiful air, said Bloom lost Leopold. I know it well.



Never in all his life had Richie Goulding.



He knows it well too. Or he feels. Still harping on his daughter. Wise child that knows her father, Dedalus said. Me?

"Still"?


Bloom askance over liverless saw. Face of the all is lost. Rollicking Richie once. Jokes old stale now. Wagging his ear. Napkinring in his eye. Now begging letters he sends his son with. Crosseyed Walter sir I did sir. Wouldn't trouble only I was expecting some money. Apologise.



Piano again. Sounds better than last time I heard. Tuned probably. Stopped again.



Dollard and Cowley still urged the lingering singer out with it.



— With it, Simon.



— It, Simon.



— Ladies and gentlemen, I am most deeply obliged by your kind solicitations.



— It, Simon.



— I have no money but if you will lend me your attention I shall endeavour to sing to you of a heart bowed down.



By the sandwichbell in screening shadow, Lydia her bronze and rose, a lady's grace, gave and withheld: as in cool glaucous eau de Nil Mina to tankards two her pinnacles of gold.



The harping chords of prelude closed. A chord longdrawn, expectant drew a voice away.



— When first I saw that form endearing...

mp3:

"When first I saw"



Richie turned.



— Si Dedalus' voice, he said.



Braintipped, cheek touched with flame, they listened feeling that flow endearing flow over skin limbs human heart soul spine. Bloom signed to Pat, bald Pat is a waiter hard of hearing, to set ajar the door of the bar. The door of the bar. So. That will do. Pat, waiter, waited, waiting to hear, for he was hard of hear by the door.

braintipped


— Sorrow from me seemed to depart.



Through the hush of air a voice sang to them, low, not rain, not leaves in murmur, like no voice of strings or reeds or whatdoyoucallthem dulcimers, touching their still ears with words, still hearts of their each his remembered

dulcimer?

cither?

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Page 261 (11.602-639) "No, Simon... Call name."

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— No, Simon, Father Cowley turned. Play it in the original. One flat.



The keys, obedient, rose higher, told, faltered, confessed, confused.

"told" = revealed?

cf JAJ's embarrassment losing a singing competition because he couldn't sightread


Up stage strode Father Cowley.

upstaged


— Here, Simon. I'll accompany you, he said. Get up.



By Graham Lemon's pineapple rock, by Elvery's elephant jingle jogged. Steak, kidney, liver, mashed, at meat fit for princes sat princes Bloom and Goulding. Princes at meat they raised and drank Power and cider.

Bloom's imagining Boylan's progress, using landmarks noted in earlier episodes


Most beautiful tenor air ever written, Richie said: Sonnambula. He heard Joe Maas sing that one night. Ah, what M'Guckin! Yes. In his way. Choirboy style. Maas was the boy. Massboy. A lyrical tenor if you like. Never forget it. Never.

d1886

Barton McGuckin

Tenderly Bloom over liverless bacon saw the tightened features strain. Backache he. Bright's bright eye. Next item on the programme. Paying the piper. Pills, pounded bread, worth a guinea a box. Stave it off awhile. Sings too: Down among the dead men. Appropriate. Kidney pie. Sweets to the. Not making much hand of it. Best value in. Characteristic of him. Power. Particular about his drink. Flaw in the glass, fresh Vartry water. Fecking matches from counters to save. Then squander a sovereign in dribs and drabs. And when he's wanted not a farthing. Screwed refusing to pay his fare. Curious types.

Bright's

"Next item on the programme" (cf Rochford's invention)

♬

"Not making much hand of it" = not getting much profit

"Flaw in the glass" (did LB see RG send a glass back? the phrase is mostly used by astronomers)


Never would Richie forget that night. As long as he lived, never. In the gods of the old Royal with little Peake. And when the first note.

a different Peake was in the obits


Speech paused on Richie's lips.



Coming out with a whopper now. Rhapsodies about damn all. Believes his own lies. Does really. Wonderful liar. But want a good memory.



— Which air is that? asked Leopold Bloom.



— All is lost now.

mp3:
Tutto e sciolto



Richie cocked his lips apout. A low incipient note sweet banshee murmured: all. A thrush. A throstle. His breath, birdsweet, good teeth he's proud of, fluted with plaintive woe. Is lost. Rich sound. Two notes in one there. Blackbird I heard in the hawthorn valley. Taking my motives he twined and turned them. All most too new call is lost in all. Echo. How sweet the answer. How is that done? All lost now. Mournful he whistled. Fall, surrender, lost.

RG whistles (beautifully) a bit of Sonnambula

banshees foretell death

RG sweet breath, Cowley bad breath

blackbird?

(Joyce is teasing us with LB's version of the very principles Joyce is using in this chapter)

Joyce wrote a poetic tribute to the air


Bloom bent leopold ear, turning a fringe of doyley down under the vase. Order. Yes, I remember. Lovely air. In sleep she went to him. Innocence in the moon. Still hold her back. Brave, don't know their danger. Call name.

"doyley" is a very rare variant of doily, maybe to evoke the D'Oyly Carte Opera Company?

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Page 260 (11.562-601) "Miss Douce, engaging... obedient keys."

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Miss Douce, engaging, Lydia Douce, bowed to suave solicitor, George Lidwell, gentleman, entering. Good afternoon. She gave her moist, a lady's, hand to his firm clasp. Afternoon. Yes, she was back. To the old dingdong again.

"dingdong" = routine?


— Your friends are inside, Mr Lidwell.

Simon, Dollard, Cowley? (not Dignam?)


George Lidwell, suave, solicited, held a lydiahand.



Jingle.



Bloom ate liv as said before. Clean here at least. That chap in the Burton, gummy with gristle. No-one here: Goulding and I. Clean tables, flowers, mitres of napkins. Pat to and fro, bald Pat. Nothing to do. Best value in Dub.

Piano again. Cowley it is. Way he sits in to it, like one together, mutual understanding. Tiresome shapers scraping fiddles, eye on the bowend, sawing the 'cello, remind you of toothache. Her high long snore. Night we were in the box. Trombone under blowing like a grampus, between the acts, other brass chap unscrewing, emptying spittle. Conductor's legs too, bagstrousers, jiggedy jiggedy. Do right to hide them.

trombone:

grampus = whale


Jiggedy jingle jaunty jaunty.



Only the harp. Lovely gold glowering light. Girl touched it. Poop of a lovely. Gravy's rather good fit for a. Golden ship. Erin. The harp that once or twice. Cool hands. Ben Howth, the rhododendrons. We are their harps. I. He. Old. Young.

harp:

"glowering" is always angry, so LB is using it wrong, for the sound

can a harp resemble a lovely ship's stern/poop/rear end?

"Gravy's rather good" (not "good fit")


— Ah, I couldn't, man, Mr Dedalus said, shy, listless.



Strongly.



— Go on, blast you! Ben Dollard growled. Get it out in bits.



— M'appari, Simon, Father Cowley said.



Down stage he strode some paces, grave, tall in affliction, his long arms outheld. Hoarsely the apple of his throat hoarsed softly. Softly he sang to a dusty seascape there: A Last Farewell. A headland, a ship, a sail upon the billows. Farewell. A lovely girl, her veil awave upon the wind upon the headland, wind around her.

(i don't accept any of the various claims that "A Last Farewell" is a song title or a painting title-- we should be able to google them!?)


Cowley sang:

— M'appari tutt'amor:
    Il mio sguardo l'incontr...



She waved, unhearing Cowley, her veil to one departing, dear one, to wind, love, speeding sail, return.



— Go on, Simon.



— Ah, sure, my dancing days are done, Ben... Well...



Mr Dedalus laid his pipe to rest beside the tuningfork and, sitting, touched the obedient keys.

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Page 259 (11.523-561) "Bloom with Goulding... chap. Stopped."

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Bloom with Goulding, married in silence, ate. Dinners fit for princes.



By Bachelor's walk jogjaunty jingled Blazes Boylan, bachelor, in sun, in heat, mare's glossy rump atrot, with flick of whip, on bounding tyres: sprawled, warmseated, Boylan impatience, ardentbold. Horn. Have you the? Horn. Have you the? Haw haw horn.



Over their voices Dollard bassooned attack, booming over bombarding chords:

bassoon:


— When love absorbs my ardent soul...



Roll of Bensoulbenjamin rolled to the quivery loveshivery roofpanes.



— War! War! cried Father Cowley. You're the warrior.

the song is a duet between Love and War


— So I am, Ben Warrior laughed. I was thinking of your landlord. Love or money.



He stopped. He wagged huge beard, huge face over his blunder huge.

first hint that Dollard has a beard?


— Sure, you'd burst the tympanum of her ear, man, Mr Dedalus said through smoke aroma, with an organ like yours.



In bearded abundant laughter Dollard shook upon the keyboard. He would.



— Not to mention another membrane, Father Cowley added. Half time, Ben. Amoroso ma non troppo. Let me there.



Miss Kennedy served two gentlemen with tankards of cool stout. She passed a remark. It was indeed, first gentleman said, beautiful weather. They drank cool stout. Did she know where the lord lieutenant was going? And heard steelhoofs ringhoof ring. No, she couldn't say. But it would be in the paper. O, she needn't trouble. No trouble. She waved about her outspread Independent, searching, the lord lieutenant, her pinnacles of hair slowmoving, lord lieuten. Too much trouble, first gentleman said. O, not in the least. Way he looked that. Lord lieutenant. Gold by bronze heard iron steel.

surely it's not Bloom drinking stout? so who?


— . . . . . . . . . . . . . . my ardent soul
    I care not foror the morrow.



In liver gravy Bloom mashed mashed potatoes. Love and war someone is. Ben Dollard's famous. Night he ran round to us to borrow a dress suit for that concert. Trousers tight as a drum on him. Musical porkers. Molly did laugh when he went out. Threw herself back across the bed, screaming, kicking. With all his belongings on show. O saints above, I'm drenched! O, the women in the front row! O, I never laughed so many! Well, of course, that's what gives him the base barreltone. For instance eunuchs. Wonder who's playing. Nice touch. Must be Cowley. Musical. Knows whatever note you play. Bad breath he has, poor chap. Stopped.

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Page 258 (11.485-522) "in the coffee... ate they ate."

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in the coffee palace on Saturdays for a very trifling consideration and who was it gave me the wheeze she was doing the other business? Do you remember? We had to search all Holles street to find them till the chap in Keogh's gave us the number. Remember?

we'll get Bloom's version of this on the next page


Ben remembered, his broad visage wondering.



— By God, she had some luxurious operacloaks and things there.



Mr Dedalus wandered back, pipe in hand.



— Merrion square style. Balldresses, by God, and court dresses. He wouldn't take any money either. What? Any God's quantity of cocked hats and boleros and trunkhose. What?

cf p153: "Mrs Miriam Dandrade that sold me her old wraps and black underclothes in the Shelbourne hotel. Divorced Spanish American. Didn't take a feather out of her my handling them. As if I was her clotheshorse."


— Ay, ay, Mr Dedalus nodded. Mrs Marion Bloom has left off clothes of all descriptions.

Simon uses the same wrong form as Boylan (LB can't hear them, can he?)

left off clothes


Jingle jaunted down the quays. Blazes sprawled on bounding tyres.



Liver and bacon. Steak and kidney pie. Right, sir. Right, Pat.



Mrs Marion met him pike hoses. Smell of burn of Paul de Kock. Nice name he.

associations to "kidney"


— What's this her name was? A buxom lassy. Marion...?



— Tweedy.



— Yes. Is she alive?



— And kicking.



— She was a daughter of...



— Daughter of the regiment.



— Yes, begad. I remember the old drummajor.

this solitary mention can't be accurate


Mr Dedalus struck, whizzed, lit, puffed savoury puff after



— Irish? I don't know, faith. Is she, Simon?



Puff after stiff, a puff, strong, savoury, crackling.



— Buccinator muscle is... What...? Bit rusty... O, she is... My Irish Molly, O.

Joyce's 1910 Trieste notebook observes that JSJ couldn't draw a pipe (well) because of this problem (Latin for 'trumpeter') along with the fingernail-chips above and the dancing-days just below, this confirms Simon's status as a Siren-wrecked skeleton

My Irish Molly, O ♬


He puffed a pungent plumy blast.



— From the rock of Gibraltar... all the way.



They pined in depth of ocean shadow, gold by the beerpull, bronze by maraschino, thoughtful all two, Mina Kennedy, 4 Lismore terrace, Drumcondra with Idolores, a queen, Dolores, silent.

she's probably putting the sloegin back with the other cordials, incl maraschino

why give a character's address just here?
address in 1911

mp3:


Pat served, uncovered dishes. Leopold cut liverslices. As said before he ate with relish the inner organs, nutty gizzards, fried cods' roes while Richie Goulding, Collis, Ward ate steak and kidney, steak then kidney, bite by bite of pie he ate Bloom ate they ate.

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Page 257 (11.448-484) "What's that? ...playing the piano"

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— What's that? Mr Dedalus said. I was only vamping, man.



— Come on, come on, Ben Dollard called. Begone, dull care. Come, Bob.

sheetmusic pdf ♬


He ambled Dollard, bulky slops, before them (hold that fellow with the: hold him now) into the saloon. He plumped him Dollard on the stool. His gouty paws plumped chords. Plumped stopped abrupt.



Bald Pat in the doorway met tealess gold returning. Bothered he wanted Power and cider. Bronze by the window watched, bronze from afar.



Jingle a tinkle jaunted.



Bloom heard a jing, a little sound. He's off. Light sob of breath Bloom sighed on the silent bluehued flowers. Jingling. He's gone. Jingle. Hear.



— Love and war, Ben, Mr Dedalus said. God be with old times.


midi:


lyrics and some sheetmusic


Miss Douce's brave eyes, unregarded, turned from the crossblind, smitten by sunlight. Gone. Pensive (who knows?), smitten (the smiting light), she lowered the dropblind with a sliding cord. She drew down pensive (why did he go so quick when I?) about her bronze, over the bar where bald stood by sister gold, inexquisite contrast, contrast inexquisite nonexquisite, slow cool dim seagreen sliding depth of shadow, eau de Nil.

closing the blind = pulling down a shadow
Douce-bronze here is the siren Parthenope, drowning herself after Boylan/Odysseus/Orpheus escapes


— Poor old Goodwin was the pianist that night, Father Cowley reminded them. There was a slight difference of opinion between himself and the Collard grand.

There was.



— A symposium all his own, Mr Dedalus said. The devil wouldn't stop him. He was a crotchety old fellow in the primary stage of drink.



— God, do you remember? Ben bulky Dollard said, turning from the punished keyboard. And by Japers I had no wedding garment.



They laughed all three. He had no wed. All trio laughed. No wedding garment.



— Our friend Bloom turned in handy that night, Mr Dedalus said. Where's my pipe, by the way?



He wandered back to the bar to the lost chord pipe. Bald Pat carried two diners' drinks, Richie and Poldy. And Father Cowley laughed again.



— I saved the situation, Ben, I think.



— You did, averred Ben Dollard. I remember those tight trousers too. That was a brilliant idea, Bob.



Father Cowley blushed to his brilliant purply lobes. He saved the situa. Tight trou. Brilliant ide.



— I knew he was on the rocks, he said. The wife was playing the piano

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