Showing posts with label special. Show all posts
Showing posts with label special. Show all posts

Friday, August 7, 2015

[A Fitbit for Poldy]


"Time I used to try jotting down on my cuff what she said dressing... Timing her. 9.15. Did Roberts pay you yet? 9.20. What had Gretta Conroy on? 9.23. What possessed me to buy this comb? 9.24. I'm swelled after that cabbage." [p67]
Leopold Bloom would have been the first man in Dublin to order a Fitbit wristband:

  • Steps, Calories, Distance: we can reconstruct most of the Bloomsday distances, approximate the steps, and guess the calories
  • Clock: reconstructable
  • Sleep Tracking: naps, ch13, ch17/18
  • Auto Sleep Detection
  • Silent Wake Alarm (ch13?)
  • Floors Climbed: mostly street level, or entryways ("Too much trouble to fag up the stairs to the landing." p65)
  • Active Minutes: this would be interesting to graph
  • Multi-Sport: Sandow's exercises? "Must begin again those Sandow's exercises." Gerty's ball?
  • Continuous Heart Rate: fear of Boylan "The flutter of his breath came forth in short sighs. Quick. Cold statues: quiet there. Safe in a minute."
  • Caller ID
  • Text Notifications
  • Music Control: Bloom's iPod as Spotify playlist
  • GPS Tracking: easy to reconstruct



Wednesday, June 17, 2015

[Ulysses emoji update]



If you try to translate Ulysses into emoji you run into various serious problems:
  • different platforms support slightly different subsets, with slightly different representations, and the results of copying between them are often unpredictable
  • searching for the best symbol is slow and clumsy, so you'll probably have to compile your own exhaustive cheatsheets
  • they're optimised for Japanese teen culture, and you ought to master those meanings before redefining them
  • they have no grammar (like 'A said B thinks C will do X') and hacking one together from repurposed bits is tedious [terrible attempt] [fragments]
  • symbols acquire many meanings and context doesn't help disambiguate very well
  • if the Japanese teens have standard sexual euphemisms i haven't found their glossary yet
On the other hand, the challenge is enriching, and can produce unexpected insights as you reduce events and details to their broader themes...

grammar

plurals could be a plus sign, or even a number (x2)

1st/2nd/3rd person could be a number or icon or icon-with-number

past/present/future could be arrows??

in general, you want to 'bracket' modal events and introduce them with an indicator of the modality: A thinks, B dreamt, C will try

there's plenty of variant brackets that could indicate modalities too:

( ) thinks
[ ]
{ } imagines
⸨ ⸩ says
❨ ❩
❪ ❫
⸦ ⸧
❬ ❭
❮ ❯ future
❰ ❱
❴ ❵
❲ ❳
⦗ ⦘
⁅ ⁆
〈 〉









Thursday, April 9, 2015

[Dublin VR volunteers needed]

while Eoghan Kidney is currently rebuilding Sandymount Strand using the Unreal VR engine, it's not clear to me if this is/ should be the kernel of the inevitable longterm group project to do all of 1904 Dublin.

the open version of Second Life, called OpenSim, seems to have lots of advantages, so long as the content we create for it can eventually be scaled up to more powerful engines (like Unreal).

i'd like to get started on three locales: #7 Eccles, the Tower, and Westland Row (post office, alley, church, Sweny's). Even blank polygons are fine with me if they convey scale and spatial relationships.

i don't want to get derailed for more than a month or two, because this project is not especially dear to my heart-- it just seems to need some cheerleading to get a community seeded.

from the top of the 'tower' you can see-- over a 'wall'-- bloom's house on eccles



a giant contemporary Lisbon project



Sunday, November 2, 2014

[Sirens songs]

11.9 "Idolores"
11.226 "— O, Idolores, queen of the eastern seas"
11.379 "Idolores. The eastern seas"
11.383-84 "Fair one of Egypt... Look to the west... For me"
11.518 "Idolores, a queen, Dolores"
11.734 "Dolores shedolores"
11.1132 "Dolor! O, he dolores!"

 'Florodora' sung by Frank as he parts from his lover in the Philippines, heading back to England: (the green highlighted section is echoed various places in the text)

There is a garden fair
Set in an Eastern sea,
There is a maid keeping her tryst with me
In the shade of the palm,
With a lover's delight,
Where 'tis ever the golden day,
Or a silvery night;
How can I leave her alone in this dream of sweet Arcadia--
How can I part from her for lands away?
In this valley of Eden,
Fairest isle of the sea,
Oh, my beloved, bid me to stay
In this fair land of Eden,
Bid me beloved to stay.

There is an island fair,
Girt by a Western sea;
Dearest, 'tis there
One day thou'lt go with me.
'Neath the glorious moon
Hand in hand we will roam,
Hear the nightingale song of June,
In the dear Land of Home!
There, dearest heart, will the past but seem an idle vision
Nought but a dream that fadeth fast away,
And the songs we were singing, in Elysian vales
Seem but a carol of yesterday.
Happy songs we were singing,
Songs of a bygone day.

Oh my Dolores Queen of the Eastern sea!
Fair one of Eden, look to the West for me!
My star will be shining, love, when you're in the moonlight calm,
So be waiting for me by the Eastern sea in the shade of the shelt'ring palm.


 music by
Leslie Stuart, book by Owen Hall, lyrics by E. Boyd-Jones and Paul Rubens. The opera takes place on a South Sea island that produces Floradora, a world-famous perfume. Idolores, the
beautiful and flirtatious heroine, is being pursued (and spoiled) by a host of men, including the nasty villain, but her eventual salvation is ensured when she falls in love with Frank Abercoed (surprisingly enough, a lord in disguise). At the end of Act I they pledge their love, even though they have to part, and Abercoed sings
"The Shade of the Palm." Refrain: "Oh Idolores, queen of the eastern sea, I Fair one of Eden look to the West for me, I My star will be shining, love, I When you're in the moonlight calm, I So be waiting for me by the Eastern sea, I In the shade of the sheltering palm."


11.6 "Blew, Blue bloom is on the"

11.230 "Blue Bloom is on the rye."
11.390 "rye bloom"
11.1126-27 "O'er ryehigh blue. Bloom"

My pretty Jane, my pretty Jane!
Ah! never, never look so shy,
But meet me, meet me in the ev'ning,
When the bloom is on the rye.
The Spring is waning fast, my love,
The corn is in the ear,
The summer nights are coming, love,
The moon shines bright and clear;
Then pretty Jane, my dearest Jane,
Ah! never look so shy,
But meet me, meet me in the ev'ning,
When the bloom is on the rye.

But name the day, the wedding day,
And I will buy the ring,
The lads and maids in favors white,
And village bells shall ring.


11.13 "Decoy. Soft word. But
look: the bright stars fade. Notes chirping
answer"
11.14  "O rose! Castile. The mom
is breaking"
11.18 "Sweetheart, goodbye"

11.320-425 "The bright stars fade... the morn is breaking...  The dewdrops pearl.... And I from thee... To Flora's lips did hie... I could not leave thee... Sweetheart, goodbye!"

11.1109 "The bright stars fade... The morn"
 11.1109 "O rose! Castile"
11.1271 "last rose of summer...rose of Castile"

from 'Goodbye, Sweetheart, Goodbye'

The bright stars fade, the morn is breaking,
The dewdrops pearl each bud and leaf,
And I from thee my leave am taking,
With bliss too brief, with bliss, with bliss too brief.
How sinks my heart with fond alarms,
The tear is hiding in mine eye,
For time doth tear me from thine arms,
Goodbye, sweetheart, goodbye,
Goodbye, sweetheart, goodbye,
For time doth tear me from thine arms,
Goodbye, sweetheart, goodbye.

The sun is up, the lark is soaring,
Loud swells the song of chanticleer,
Yet I am here, yet I, yet I am here.
For since night's gems from heav'n do fade,
And morn to floral lips doth hie,
I could not leave thee though I said
Goodbye, sweetheart, goodbye,
Goodbye, sweetheart, goodbye,
I could not leave thee though I said
Goodbye, sweetheart, goodbye


11.20 "When love absorbs. War! War! "
 11.459 "Love and War"
11.530, 551-52 "When love absorbs my ardent soul... my ardent soul / I care not foror the morrow"
11.532 "War! War! . . . You're the warrior" 

lyrics:

Lover (tenor):
When Love absorbs my ardent soul,
I think not of the morrow;
Beneath his sway years swiftly roll,
True lovers banish sorrow,
By softest kisses, warm'd to blisses,
Lovers banish sorrow,
By softest kisses, warm'd to blisses,
Lovers banish sorrow.

Soldier (bass):
While war absorbs my ardent soul,
I think not of the morrow;
Beneath his sway years swiftly roll,
True Soldiers banish sorrow,
By cannon's rattle, rous'd to battle,
Soldiers banish sorrow,
By cannon's rattle, rous'd to battle,
Soldiers banish sorrow.

Together:
Since Mars lov'd Venus, Venus Mars,
Let's blend love's wounds with battle's scars,
And call in Bacchus all divine,
To cure both pains with rosy wine,
To cure both pains with rosy, rosy wine.
And thus, beneath his social sway,
We'll sing and laugh the hours away.


11.24 "When first he saw. Alas!"
11.27 "Martha! Come!"
11.587, 594-95 "M' appari... M' appari cutt' amor... II mio sguardo l'incontr..."
11.665-751 "When first I saw... To me!"
11.802 "Thou lost one"
11.1187, 11.1210 "SimonIionel first I saw"
11.1253-54 "When first he saw that form endearing"

1906 Enrico Caruso
this piece was used in the movies 'Other Voices, Other Rooms' and 'The Grey Fox')

Simon sings substitute English lyrics by Charles Jeffreys:

When first I saw that form endearing
Sorrow from me seemed to depart:
Each graceful look, each word so cheering
Charmed my eye and won my heart.
Full of hope, and all delighted,
None could feel more blest than I;
All on Earth I then could wish for
Was near her to live and die:
But alas! 'twas idle dreaming,
And the dream too soon hath flown;
Not one ray of hope is gleaming;
I am lost, yes I am lost for she is gone.
When first I saw that form endearing
Sorrow from me seemed to depart:
Each graceful look, each word so cheering
Charmed my eye and won my heart.
Martha, Martha, I am sighing
I am weeping still, for thee,
Come thou lost one,
Come thou dear one,
Thou alone can'st comfort me:
Ah Martha return! Come to me!


11.21? "A sail! A veil awave upon the waves."
11.590 "A Last Farewell"
11.591 "A lovely girl, her veil awave upon the wind "


We weighed our anchor to our bow,
Likewise our maintop sail,
Away down the Firth and away we went,
With a soft and pleasant gale;
Away down the Firth and away we went,
For our decks had all been clear,
'Twas then I took the last farewell
Of the girl I loved so dear.


11.22 "Lost. Throstle fluted. All is lost now."
 11.629, 11.635 "All is lost now"
11.1242 "All is lost now"

in Bellini's Italian [qv] Tutto รจ Sciolto (a title Joyce used in Pomes Penyeach: qv)

All is lost now,
By all hope and joy am I forsaken.
Nevermore can love awaken
Past enchantment, no, nevermore.


 11.725 "Waiting"

lyrics:

The stars shine on his pathway,
The trees bend back their leaves
To guide him to the meadow
Among the golden sheaves
Where I stand longing, loving
And listening as I wait
To the nightingale's wild singing,
Sweet singing to its mate,
Singing, singing, sweet singing to its mate.

The breeze comes sweet from heaven,
And the music in the air
Heralds my lover's coming,
And tells me he is there,
Come for my arms are empty!
Come for the day was long!
Turn the darkness into glory,
The sorrow into song.
I hear his footfalls' music,
I feel his presence near.
All my soul responsive answers
And tells me he is here.

O stars-- shine out your brightest!
O night-- ingale, sing sweet
To guide-- him to me, waiting
And speed his flying feet,
To guide-- him to me, waiting
And speed his flying feet.

ZB cites these less-likely lyrics:

I look from my window upon the dull street,
The wind and the rain on the marketplace beat;
I sigh from my heart for my love tarries long,
With his sheep, and his goats, and his cattle so strong.
My love in the mountains I'm waiting for thee,
O that from this bondage my poor heart were free!

My love to the market his cattle will bring,
And then 'neath my window a song he will sing;
A song which will tell me the time has now come,
To go with my love to his wild mountain home.
I care not for guardian, nor sister, nor friend,
But by my love's side I my footsteps will wend.

11.727 "in old Madrid"

[GIF of music] lyric excerpts:

Long years ago, in old Madrid,
Where softly sighs of love the light guitar,
Two sparkling eyes a lattice hid,
Two eyes as darkly bright as love's own star!
There on the casement ledge, when day was o'er,
A tiny hand was lightly laid;
A face look'd out, as from the river shore,
There stole a tender serenade.
Rang the lover's happy song,
Light and low from shore to shore,
But ah, the river flowed along
Between them evermore,
Come my love, the stars are shining,
Time is flying, love is sighing,
Come, for thee a heart is pining,
Here alone I wait for thee.

Far, far away from old Madrid,
Her lover fell, long years ago, for Spain;
A convent veil those sweet eyes hid,
And all the vows that love had sigh'd were vain!
But still, between the dusk and night, 'tis said,
Her white hand opes the lattice wide,
The faint sweet echo of that serenade
Floats weirdly o'er the misty tide!



11.779-82 "'Twas rank and fame... since love lives not" 

from Balfe's 'Rose of Castile':

'Twas rank and fame that tempted thee,
'Twas empire charmed thy heart...
But love was wealth, the world to me,
Then, false one, let us part;
The prize I fondly deem'd my own,
Another's now may be;
For ah! with love, life's gladness flown,
Leaves grief to wed, to wed with me;
With love, life's gladness flown,
Leaves grief alone to me.

'Tho lowly bred, and humbly born,
No loftier heart than mine;
Unlov'd by thee my pride would scorn
To share the crown that's thine;
I sought no empire save the heart,
Which mine can never be;
Then false one, we had better part,
Since love lives not, lives not in thee,
Since love lives not in thee;
Yes! false one, better part,
Since love lives not in thee.

11.788 "We never speak"

lyric:

The spell is past, the dream is o'er,
And tho' we meet, we love no more,
One heart is crushed to droop and die,
And for relief must heavenward fly.
The once bright smile has faded, gone,
And given way to looks forlorn!
Despite her grandeur's wicked flame,
She stoops to blush beneath her shame.

[chorus] We never speak as we pass by,
Altho' a tear bedims her eye;
I know she thinks of her past life,
When we were loving man and wife.

In guileless youth I sought her side,
And she became my virtuous bride,
Our lot was peace, so fair so bright,
One summer day, no gloomy night,
No life on earth more pure than ours
In that dear home midst field and flowers
Until her tempter came to Nell,
It dazzled her, alas! she fell. [chorus]

In gilded hall, midst wealth she dwells,
How her heart aches, her sad face tells,
She fain would smile, seem bright and gay,
But conscience steals her peace away,
And when the flatt'rer cast aside,
My fallen and dishonored bride,
I'll close her eyes in death, forgive,
And in my heart her name shall live. [chorus]


11.39 "Deepsounding. Do, Ben, do."
11.40 "Wait while you wait. Hee hee. Wait while you hee."
11.42 "Low in dark middle earth. Embedded ore. Naminedamine. All gone. All fallen."
11.46 "Amen! He gnashed in fury."
11.51 "Pray for him! Pray, good people!"
 11.991 "The Croppy Boy"
11.992 "Good men and true"
11.1009 "The priest he sought... speak a word" 
 11.1016-17 "The priest's at home... The holy father"
 11.1020-22 "the youth had entered... sitting to shrive"
 11.1032-33 "In nominie Domini... confessing: mea culpa"
 11.1040-43 "Since easter he had... had not prayed"
 11.1063-65 "All gone. All fallen... name and race"
11.1068 "He bore no hat"
11.1072 "My country above the king"
11.1074 "Bless me, father...  let me go "

 11.1081-82 "The false priest... yeoman captain"
11.1097-99 "With hoarse rude fury... to live, your last"
11.1105-6 "On yonder river"
11.1120 "I hold this house... Traitors swing"
11.1131-32 "At Geneva barrack... was his body laid"
11.1139-41 "Pray for him... was the croppy boy"
11.1244 "nominedomine"
11.1248-49 "Breathe a prayer... a yeoman cap"

11.1273 "A youth entered a lonely Ormond hall"
lyric:

"Good men and true! in this house who dwell,
To a stranger bouchal I pray you tell
Is the priest at home? or may he be seen?
I would speak a word with Father Green."

"The Priest's at home, boy, and may be seen:
'Tis easy speaking with Father Green;
But you must wait, till I go and see
If the holy father alone may be."

The youth has entered an empty hall--
What a lonely sound has his light foot-fall!
And the gloomy chamber's still and bare,
With a vested Priest in a lonely chair.

The youth has knelt to tell his sins;
"Nomine Dei," the youth begins:
At "mea culpa" he beats his breast,
And in broken murmurs he speaks the rest.

"At the siege of Ross did my father fall,
And at Gorey my loving brothers all.
I alone am left of my name and race,
I will go to Wexford and take their place."

"I cursed three times since last Easter day--
At mass-time once I went to play:
I passed the churchyard one day in haste,
And forgot to pray for my mother's rest.

"I bear no hate against living thing;
But I love my country above my King.
Now, Father bless me, and let me go
To die in battle, if God has ordained it so."

The Priest said nought, but a rustling noise
Made the youth look above in wild surprise;
The robes were off, and in scarlet there
Sat a yeoman captain with fiery glare.

With fiery glare and with fury hoarse,
Instead of blessing, he breathed a curse:
"'Twas a good thought, boy, to come here and shrive,
For one short hour is your time to live."

"Upon yon river three tenders float,
The Priest's in one, if he isn't shot--
We hold this house for our Lord and King,
And, Amen! say I, may all traitors swing!"

At Geneva Barrack that young man died,
And at Passage they have his body laid.
Good people who live in peace and joy,
Breathe a prayer and a tear for the Croppy boy.



 11.32 "I feel so sad. P. S. So lonely blooming."
11.54 "Last rose Castile of summer left bloom I feel so sad alone."
11.1176 "The Last Rose of Summer"
11.1220-21 "one last, one lonely, last sardine of summer"

'Tis the last rose of summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
Or give sigh for sigh.

I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter,
Thy leaves o'er the bed,
Where thy mates of the garden
Lie scentless and dead.

So soon may I follow,
When friendships decay,
And from Love's shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?

Wednesday, October 29, 2014

[Background on the viceregal cavalcade]

the whole concept of a viceregal cavalcade seems pretty foreign to modern eyes, and poorly documented by contemporaries, so we mostly have to try to reconstruct it based on Joyce's clues.

the viceroy represented the British king, and had only been in that position for a couple of years, the eighth viceroy since the Phoenix Park murders.

cavalcades were occasional big productions with lots of horsemen in fancy outfits, which average Dubliners enjoyed as a spectacle unless their politics intervened. the female observers were most interested to see the women's dresses. ("pearl grey and eau de Nil")

the newspapers would have announced the approximate time and route, so you'd expect pedestrians to gather, but we don't hear about any. (p174: "Hello, placard. Mirus bazaar. His excellency the lord lieutenant.")

everyone was encouraged to greet the viceroy and these greetings were returned as far as possible. (cf the fine old custom about funerals in episode 6)
traffic was apparently supposed to stop to show respect?

p238: "Clatter of horsehoofs sounded from the air. --What's that? Martin Cunningham said. All turned where they stood. John Wyse Nolan came down again. From the cool shadow of the doorway he saw the horses pass Parliament street, harness and glossy pasterns in sunlight shimmering. Gaily they went past before his cool unfriendly eyes, not quickly. In saddles of the leaders, leaping leaders, rode outriders. --What was it? Martin Cunningham asked, as they went on up the staircase. --The lord lieutenant general and general governor of Ireland, John Wyse Nolan answered from the stairfoot."

"William Humble, earl of Dudley, and Lady Dudley, accompanied by lieutenantcolonel Hesseltine, drove out after luncheon from the viceregal lodge. In the following carriage were the honourable Mrs Paget, Miss de Courcy and the honourable Gerald Ward, A.D.C. in attendance." (so just two carriages?)

"sunshades spanned and wheelspokes spinning"
"outriders pranced"
"the leaders' skyblue frontlets and high action" [are leaders and outriders different?]
"glossy horses pranced"
"gent with the topper" "fellow in the tall silk"
"with his following"
"hoofirons, steelyringing"







Saturday, October 18, 2014

[Patterns in Wandering Rocks]

19 subsections
1 is church, 19 is state
all take about 5min but 1, 19, and 9 (lenehan)

1-4 are all northside:
conmee heads northeast on a mission of mercy
corny stays put and schemes
the 1-legged sailor heads west, singing and begging
the dedalus girls head northwest, in hunger

we also catch a glimpse of lady maxwell heading home from father conmee's church, and of molly bloom getting ready for boylan


17-19 are toward the southeast:
tisdall farrell by merrion square
master dignam by nassau street
the cavalcade (which starts in the far west) ending in ballsbridge

also bloom's crumpled throwaway drifting east towards the sea


boylan at #5 is south of master dignam's startingpoint

#12's tom kernan is alone in the southwest walking towards downtown


8, 9 and 15 are west of downtown:
ned lambert at st mary's just north of the liffey
lenehan just south of the liffey walking east then west
martin cunningham leaving the castle heading north


downtown just north of the river are simon and dilly

just south are bloom and stephen and mulligan and artifoni, and probably boylan's secretary




conmee's trip splits neatly into two 20min halves: after walking for 20 minutes, he boards a tram (as the viceregal party sets off), then walks again. almost all the action of the episode happens during the last half of conmee's trip, and the first overlapping half of the cavalcade.

only a few characters appear before conmee boards the tram:

long before, lady maxwell (who'd been visiting conmee) crosses paths with denis maginni (who'll reach the river before conmee boards the tram).

the sections for boylan (5) and his secretary (7) happen just after maginni meets maxwell. lenehan's section begins here too and continues for half an hour. and the onelegged sailor also ends before conmee boards the tram

a short 1st glimpse of the dedalus girls, and bloom browsing books, also start before conmee boards the tram.



the sequence of the intrusions

taking the intrusions and pseudo-intrusions in calculated order may help simplify things. (most are clustered between 3:15 and 3:35)

first, around 3:01, a pseudo-intrusion: "Mr Denis J. Maginni, professor of dancing &c, in silk hat, slate frockcoat with silk facings, white kerchief tie, tight lavender trousers, canary gloves and pointed patent boots, walking with grave deportment most respectfully took the curbstone as he passed lady Maxwell at the corner of Dignam's court." added last, linked via lady Maxwell's visit to Conmee
also added late, to Bloom's section ten: "On O'Connell bridge many persons observed the grave deportment and gay apparel of Mr Denis J. Maginni, professor of dancing &c." and to section 19: "Opposite Pigott's music warerooms Mr Denis J. Maginni, professor of dancing &c, gaily apparelled, gravely walked, outpassed by a viceroy and unobserved."
these are not simultaneous nor do they intrude from any subsection.

The earliest proper intrusion comes at 3:05 with Lenehan's section 9: "the top disk... shot down the groove, wobbled a while, ceased, ogling them: six." intruding on Miss Dunne's section 7: "The disk shot down the groove, wobbled a while, ceased and ogled them: six."
(we can look for symbolic connections, or symmetric ones...?)

Lenehan's section then suffers an ambiguous pseudo-intrusion; "Lawyers of the past, haughty, pleading, beheld pass from the consolidated taxing office to Nisi Prius court Richie Goulding carrying the costbag of Goulding, Collis and Ward and heard rustling from the admiralty division of King's bench to the court of appeal an elderly female with false teeth smiling incredulously and a black silk skirt of great amplitude."
This is in the Four Courts, while Rochford's demo is south of the river in Crampton Court. The references are continued in a pseudo-intrusion in Bloom's section 10 around 3:15: "An elderly female, no more young, left the building of the courts of chancery, king's bench, exchequer and common pleas, having heard in the lord chancellor's court the case in lunacy of Potterton, in the admiralty division the summons, exparte motion, of the owners of the Lady Cairns versus the owners of the barque Mona, in the court of appeal reservation of judgment in the case of Harvey versus the Ocean Accident and Guarantee Corporation." and also section 19 at 3:33: "In the porch of Four Courts Richie Goulding with the costsbag of Goulding, Collis and Ward saw him with surprise. Past Richmond bridge at the doorstep of the office of Reuben J. Dodd, solicitor, agent for the Patriotic Insurance Company, an elderly female about to enter changed her plan and retracing her steps by King's windows smiled credulously on the representative of His Majesty."

Just a moment after the Rochford/Lenehan intrusion, Miss Dunne suffers another semi-intrusion "Five tallwhitehatted sandwichmen between Monypeny's corner and the slab where Wolfe Tone's statue was not, eeled themselves turning H.E.L.Y'S and plodded back as they had come.' from Boylan's section 5: "H.E.L.Y'S. filed before him, tallwhitehatted, past Tangier lane, plodding towards their goal." (and then she notices the poster of Marie Kendall)
These confirm (or complicate?) the chronology of Boylan's phonecall to Dunne, while confusing her location.

Boylan meanwhile suffers an intrusion: "A darkbacked figure under Merchants' arch scanned books on the hawker's cart." of Bloom seen through Lenehan's eyes: "They went up the steps and under Merchants' arch. A darkbacked figure scanned books on the hawker's cart."
(Much more time has to have passed for Lenehan than for Boylan, as Lenehan's told the whole sewer-rescue story after passing Marie Kendall, charming soubrette, and also suffered a proper intrusion from the cavalcade: "The gates of the drive opened wide to give egress to the viceregal cavalcade." vs "The cavalcade passed out by the lower gate of Phoenix Park saluted by obsequious policemen". Also, the bookcart under the arch is fictional, so maybe Joyce is up to some trick?)

Ned Lambert's section doesn't begin until 3:25 but before this it has supplied an early pseudo-intrusion to the onelegged sailor "J.J. O'Molloy's white careworn face was told that Mr Lambert was in the warehouse with a visitor." (so he has to wait 20mins??)

whether Conmee's intrusion on Corny is pseudo or not depends on lines of sight: "On Newcomen bridge the very reverend John Conmee S.J. of saint Francis Xavier's church, upper Gardiner street, stepped onto an outward bound tram... At Newcomen bridge Father Conmee stepped into an outward bound tram" vs "Father John Conmee stepped into the Dollymount tram on Newcomen bridge."

the sailor's sight of Molly's arm ("A card Unfurnished Apartments slipped from the sash and fell. A plump bare generous arm shone, was seen, held forth from a white petticoatbodice and taut shiftstraps. A woman's hand flung forth a coin over the area railings.") intrudes into Corny's and Lenehan's sections, just after Conmee boards the tram: "Corny Kelleher sped a silent jet of hayjuice arching from his mouth while a generous white arm from a window in Eccles street flung forth a coin." and a little after (so pseudo): "A card Unfurnished Apartments reappeared on the windowsash of number 7 Eccles street."

another pseudo-intrusion for Lenehan precedes Molly: "Master Patrick Aloysius Dignam came out of Mangan's, late Fehrenbach's, carrying a pound and a half of porksteaks."

Dilly gets a pseudo intrusion: "Bang of the lastlap bell spurred the halfmile wheelmen to their sprint. J.A. Jackson, W.E. Wylie, A. Munro and H.T. Gahan, their stretched necks wagging, negotiated the curve by the College library." followed by a real one: "Mr Kernan, pleased with the order he had booked, walked boldly along James's street."

Parnell from Mulligan's section "They chose a small table near the window, opposite a longfaced man whose beard and gaze hung intently down on a chessboard." intrudes (much later?) on Kernan "From a long face a beard and gaze hung on a chessboard."


Then the sailor pseudo-intrudes on Mulligan (after the sailor's section ends): "The onelegged sailor growled at the area of 14 Nelson street: -- England expects..." and the throwaway pseudo-intrudes: "Elijah, skiff, light crumpled throwaway, sailed eastward by flanks of ships and trawlers, amid an archipelago of corks, beyond new Wapping street past Benson's ferry, and by the threemasted schooner Rosevean from Bridgwater with bricks."
Dedalus girls: "A skiff, a crumpled throwaway, Elijah is coming, rode lightly down the Liffey, under Loopline bridge, shooting the rapids where water chafed around the bridgepiers, sailing eastward past hulls and anchorchains, between the Customhouse old dock and George's quay."
Kernan: "North wall and sir John Rogerson's quay, with hulls and anchorchains, sailing westward, sailed by a skiff, a crumpled throwaway, rocked on the ferrywash, Elijah is coming."

Conmee "His thinsocked ankles were tickled by the stubble of Clongowes field." intrudes on the Dedalus girls "Father Conmee walked through Clongowes fields, his thinsocked ankles tickled by stubble."

followed by the auctioneer "The lacquey rang his bell. --Barang!" from Dilly's " The lacquey rang his bell behind their backs.  --Barang!"
and the throwaway above

Before the auctioneer, Kernan ("From the sundial towards James's Gate walked Mr Kernan, pleased with the order he had booked") intrudes on Dilly: "Mr Kernan, pleased with the order he had booked, walked boldly along James's street."

Simon ("--Hello, Simon, Father Cowley said. How are things? --Hello, Bob, old man, Mr Dedalus answered, stopping. ") intrudes on Kernan "--Hello, Simon, Father Cowley said. How are things? --Hello, Bob, old man, Mr Dedalus answered stopping."

The girl from Conmee ("the young woman abruptly bent and with slow care detached from her light skirt a clinging twig.") intrudes on Lambert: "The young woman with slow care detached from her light skirt a clinging twig."

3:28 simon-viceroy
3:29 lambert-conmee/kitty
3:29 kernan-simon
3:29 simon-farrell
3:29 simon-lambert
3:30 kernan-throwaway
kernan-breen
kernn-viceroy
3:31 stephen-conmee
-3:31 viceroy artifoni
-3:34 viceroy maginni
3:33 viceroy-goulding
-3:35 lenehan ?
3:37 cunningham-viceroy/ormond
3:38 cunningham-dignam/boylan




[Synchronizing Wandering Rocks, 2]

there's less than 50 total events we need to be concerned with.

they're split, irregularly, into 19 chronological sequences.

we know the order of the events in each sequence, but we know very little about the relative order of events in different sequences.

joyce has thrown us a rope in the form of 'intrusions' between sequences that are assumed to be simultaneous.

so we can start with a 50*50 array, with the goal of assigning a value to each pair: 'x occurs before y', 'x occurs after y', or 'x and y are simultaneous'. the starting values are all 'unknown' except where x and y are the same event (simultaneous), or where they're in the same sequence (before or after).

then we start tagging intrusions, and propagating them by the (transitive?) rule 'if a is before b, and b is simultaneous with c, and c is before d, then a is before d'

...so how far will that get us????

subsections (mnemonic numbering): 1FC, 2CK, 3os, 4KB, 5BB, 6AA, 7MD, 8NL, 9TL, 10LB, 11DD, 12TK, 13SD, 14Si, 15MC, 16BM, 17TF, 18PD, 19vc (uppercase for names/titles only)

1-200 = linecount within subsection (Gabler linebreaks)
for any given section these can be assumed chronological


Lenehan's subsection 9TL offers the primary 'spine'-- tightly timed intrusions to and from Boylan 5BB and Miss Dunne 7MD, the cavalcade 19vc, and Patk Dignam 18PD:

9TL4 "the top disk... shot down the groove, wobbled a while, ceased, ogling them: six."
9TL51 "The gates of the drive opened wide to give egress to the viceregal cavalcade."
9TL56 "They went up the steps and under Merchants' arch. A darkbacked figure scanned books on the hawker's cart."
9TL70 "Master Patrick Aloysius Dignam came out of Mangan's, late Fehrenbach's, carrying a pound and a half of porksteaks."


Via the cavalcade 19vc we can partly align a second spine: the Dedalus girls 4KB and 11DD, Simon 14Si, and Stephen 13SD, with side-links to the sailor 3os, Molly, Kernan 12TK, and Love 8NL:

3os6 "He swung himself violently forward past Katey and Boody Dedalus"
3os8 "J.J. O'Molloy's white careworn face was told that Mr Lambert was in the warehouse with a visitor."
3os22 "A card Unfurnished Apartments slipped from the sash and fell. A plump bare generous arm shone, was seen, held forth from a white petticoatbodice and taut shiftstraps. A woman's hand flung forth a coin over the area railings."
4KB7 "Father Conmee walked through Clongowes fields, his thinsocked ankles tickled by stubble."
4KB24 "The lacquey rang his bell. --Barang!"
4KB37 "A skiff, a crumpled throwaway, Elijah is coming, rode lightly down the Liffey, under Loopline bridge, shooting the rapids where water chafed around the bridgepiers, sailing eastward past hulls and anchorchains, between the Customhouse old dock and George's quay."
11DD7 "The lacquey lifted his handbell and shook it: --Barang!"
11DD31 "Mr Kernan, pleased with the order he had booked, walked boldly along James's street."
12TK1 "From the sundial towards James's Gate walked Mr Kernan, pleased with the order he had booked for Pulbrook Robertson, boldly along James's street"
11DD67 "The viceregal cavalcade passed, greeted by obsequious policemen, out of Parkgate."
12TK23 "--Hello, Simon, Father Cowley said. How are things? --Hello, Bob, old man, Mr Dedalus answered stopping."
14Si1 "--Hello, Simon, Father Cowley said. How are things? --Hello, Bob, old man, Mr Dedalus answered, stopping."
14Si38 "Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, murmuring, glassyeyed, strode past the Kildare street club."
14Si47 "The reverend Hugh C. Love walked from the old Chapterhouse of saint Mary's abbey past James and Charles Kennedy's, rectifiers, attended by Geraldines tall and personable, towards the Tholsel beyond the Ford of Hurdles."
12TK35 "North wall and sir John Rogerson's quay, with hulls and anchorchains, sailing westward, sailed by a skiff, a crumpled throwaway, rocked on the ferrywash, Elijah is coming."
13SD19 "Two old women fresh from their whiff of the briny trudged through Irishtown along London bridge road, one with a sanded tired umbrella, one with a midwife's bag in which eleven cockles rolled."
13SD43 "Father Conmee, having read his little hours, walked through the hamlet of Donnycarney, murmuring vespers."
19vc52 "In Fownes's street Dilly Dedalus, straining her sight upward from Chardenal's first French primer, saw sunshades spanned and wheelspokes spinning in the glare"
19vc99 "At Haddington road corner two sanded women halted themselves, an umbrella and a bag in which eleven cockles rolled to view with wonder the lord mayor and lady mayoress without his golden chain."


These two spines align loosely via:
9TL51 "The gates of the drive opened wide to give egress to the viceregal cavalcade."
11DD67 "The viceregal cavalcade passed, greeted by obsequious policemen, out of Parkgate."

...but the timegap between them has to be estimated based on geography:

19vc1 "William Humble, earl of Dudley, and Lady Dudley, accompanied by lieutenantcolonel Hesseltine, drove out after luncheon from the viceregal lodge. In the following carriage were the honourable Mrs Paget, Miss de Courcy and the honourable Gerald Ward, A.D.C. in attendance."
19vc5 "The cavalcade passed out by the lower gate of Phoenix Park saluted by obsequious policemen and proceeded past Kingsbridge along the northern quays. The viceroy was most cordially greeted on his way through the metropolis."

(presumably the lower gate is at the entrance to the park, the 'upper' gates by the viceregal lodge, 2 miles and 20+ minutes away)



4KB7 aligns to Conmee, as does 3os22, with about 10-15 minutes between them (time for Conmee's tramtrip, and for K&B's walk home).
Conmee aligns to Mulligan 16BM and Lambert 8NL:

4KB7 "Father Conmee walked through Clongowes fields, his thinsocked ankles tickled by stubble."
1FC184 "His thinsocked ankles were tickled by the stubble of Clongowes field."

16BM4 "They chose a small table near the window, opposite a longfaced man whose beard and gaze hung intently down on a chessboard."
8NL28 "From a long face a beard and gaze hung on a chessboard."

1FC199 "the young woman abruptly bent and with slow care detached from her light skirt a clinging twig."
8NL43 "The young woman with slow care detached from her light skirt a clinging twig."

16BM54 "Elijah, skiff, light crumpled throwaway, sailed eastward by flanks of ships and trawlers, amid an archipelago of corks, beyond new Wapping street past Benson's ferry, and by the threemasted schooner Rosevean from Bridgwater with bricks."

19vc48 "From the window of the D.B.C. Buck Mulligan gaily, and Haines gravely, gazed down on the viceregal equipage over the shoulders of eager guests, whose mass of forms darkened the chessboard whereon John Howard Parnell looked intently."


Dignam 18PD and Boylan 5BB and the cavacade 19vc and Cunningham/Nolan 15MC intersect:

15MC29 "Outside la Maison Claire Blazes Boylan waylaid Jack Mooney's brother-in-law, humpy, tight, making for the liberties."
18PD29 "In Grafton street Master Dignam saw a red flower in a toff's mouth and a swell pair of kicks on him and he listening to what the drunk was telling him and grinning all the time."

19vc36 "Beyond Lundy Foot's from the shaded door of Kavanagh's winerooms John Wyse Nolan smiled with unseen coldness towards the lord lieutenantgeneral and general governor of Ireland."
15MC78 "All turned where they stood. John Wyse Nolan came down again. From the cool shadow of the doorway he saw the horses pass Parliament street, harness and glossy pasterns in sunlight shimmering. Gaily they went past before his cool unfriendly eyes, not quickly. In saddles of the leaders, leaping leaders, rode outriders."

19vc65 "By the provost's wall came jauntily Blazes Boylan..."

19vc90 "As the glossy horses pranced by Merrion square Master Patrick Aloysius Dignam, waiting, saw salutes being given to the gent with the topper and raised also his new black cap with fingers greased by porksteak paper. His collar too sprang up."






Wednesday, September 24, 2014

[The General Slocum disaster in Ulysses]


Bloom p174: "Where is the justice being born that way? All those women and children excursion beanfeast burned and drowned in New York. Holocaust. Karma they call that transmigration for sins you did in a past life the reincarnation met him pikehoses."

Conmee p212: "He passed Grogan's the tobacconist against which newsboards leaned and told of a dreadful catastrophe in New York. In America those things were continually happening. Unfortunate people to die like that, unprepared. Still, an act of perfect contrition."

Kernan p229-230: "Terrible affair that General Slocum explosion. Terrible, terrible! A thousand casualties. And heartrending scenes. Men trampling down women and children. Most brutal thing. What do they say was the cause? Spontaneous combustion: most scandalous revelation. Not a single lifeboat would float and the firehose all burst. What I can't understand is how the inspectors ever allowed a boat like that... Now you're talking straight, Mr Crimmins. You know why? Palmoil. Is that a fact? Without a doubt. Well now, look at that. And America they say is the land of the free. I thought we were bad here."





Saturday, June 28, 2014

[Ulysses: the board game... or text adventure?]

‏BobRBogle  16 July 2014 asks "So why doesn't someone: #Ulysses: the Board Game?"

[revised april 2015]


there's a million different ways to approach this, all sharing the common 'mechanic' of moving from place to place in 1904 Dublin.

many of these approaches can be created and hosted free at existing dedicated websites, if anyone is willing to invest the time.

at minimum you'll want 18 'places', one per episode. (but if you want to retrace characters' paths, you'll have to include hundreds of separate places.)  you'll need a text description of each place that's vague enough to allow anyone to visit it at any point in the game.

(writing these vague descriptions is a good exercise, and making them freely available will allow them to be refined by others, or ported to other game formats. as we add images, this database could gradually evolve towards a VR 1904-dublin wiki.)

Second Life could be very cool but would charge $100s/month rent as I understand it.


There are free Minecraft clones but it seems like a huge amount of work for a very blocky sim.


Do any SimCity-types allow real city street grids? Can you explore them in 'streetview' mode?



ideally we need a platform optimized to make worldbuilding simple, where you can draw streets and paste buildings with a few clicks. it should allow multiple builders with a wiki-like undo.

most of the buildings can be empty/featureless, but a few need detailed rooms. the 1909 map supplies streetwidths and detailed layout.

choose-your-path text adventures [eg] can force readers to follow the book as closely as the author likes, while adding some forward momentum for lazy readers.

fixed-map text adventures [eg] allow more exploration via NSEW-mapped exits, but consequently permit much less fixed plot and require much trickier implementation.

d&d-style or 2ndLife-style platforms might even allow online socializing as you explore...?




an oldfashioned monopoly-style boardgame with multiple players competing will require a pretty complete reinvention of the book, but again it's a usefully educational challenge to try to boil things down to an essence:

pieces:
SD: latinquarter hat? ashplant
LB: bowler hat, potato
MB: bed/cat
BB: boner?
BM: coin? key?
Mac: raincoat
Bella: bustier, highheel, whip, dildo?
SiD: pince-nez?
Citizen: biscuit tin/dog/eyeball

places: Tower, school, Eccles, Strand, Nighttown, pubs...

maybe each place comes with a table of possible adventures?

vehicles? postal letters? dogs and cats?

SD & LB build social credit in different ways
alcohol or not, food, orgasms
trading small favors (tobacco)

each pair has changing friendship level?

   SD LB MB BB BM
SD             -5
LB       +9 -9
MB    +4    +3
BB
BM +4   

meeting friends cheers you somewhat, making new friends, meeting strangers

where do we put Church/King/art/freedom/Paris/Martha/Gerty?
each character could be haunted by 'ghosts' they have to face?

SD: mother, church, art, sex, 'nets', BM, Cranly
LB: MB-BB, Rudy, outsiderism

a hexmap can clarify geographic relationships:

GoogleMap



(do SD and LB start at opposite ends and wend symmetrically toward each other?)


Saturday, November 23, 2013

[Episode one in emoji]

revised:




 ๐Ÿ“˜ blue book (1st ed blue cover, obscene)
 ๐Ÿ†™ up (Ulysses+Penelope, Breen's postcard)
 ๐Ÿ“– an open book
 ๐ŸŽญ performing arts/ theatrical (fiction)

(  word group
 ๐ŸŒŒ milky way (macrocosm) a universe
 ๐Ÿฑ bento box (squeezed neatly into)
 ๐Ÿ“† tear-off calendar (microcosm) one day
)

 ๐Ÿ‘จ one man (Odysseus/Bloom)

(  plural group
 ๐Ÿ’ฆ many trials (splashing sweat)
 ๐Ÿ”“ open lock (solves puzzles) unlocked
) x12


 ๐ŸŒž a sunny day (sun with face)
 ♊ sun in Gemini (June)
 ๐ŸŒš new moon
 ๐Ÿ•ฃ clock face eight-thirty

(
 ๐Ÿ€ clover
 ๐Ÿ—พ island nation
)

(
 ๐Ÿฐ castle (Tower)
 ๐Ÿ” top (of castle)
)

(
 ๐Ÿ‘ฟ imp (Buck Mulligan)
 ๐Ÿ‘˜ kimono (yellow silk dressinggown)
 ๐Ÿ‘– jeans (pants, implied not mentioned)
)

(
 ๐Ÿ’‡ haircut/ barbering (shave)
 ๐Ÿœ steaming bowl (lather)
 ๐Ÿ”ช hocho (blade)
 ๐Ÿ’ฟ optical disc (mirror)
)


 ๐Ÿ‘ฟ imp
 ๐Ÿ’ฌ speech balloon (monolog-patter)
 ๐Ÿ˜ smirking face (arch-mocker)
 ๐Ÿ’ƒ dancer (performing/miming)
(  verb-object
 ๐ŸŽญ performing arts (pretending to be characters)
 ๐Ÿ™ folded hands (prayer/priest)
 )

 ๐Ÿ‘ค man (Stephen)
 ๐Ÿ˜ช sleepy
 ๐Ÿ™ sad (frowning)
 ๐Ÿ˜’ unamused

 ๐Ÿ‘ฟ imp
 ๐Ÿด equine
 ๐ŸŽญ acts out
(  series
 ๐Ÿ’‚ soldier
,
 ๐Ÿ™ priest
,
 ๐ŸŽผ musical score (conductor)
,
(
๐ŸŽค microphone (barker)
 ๐ŸŽช circus tent (girly show)
)
,
 ๐Ÿ˜ท face with medical mask (doctor)
)

 ๐Ÿ˜™  kissing face with smiling eyes (whistles)
 ๐Ÿ”œ  soon with rightwards arrow above (waits for reply)
(
 ๐Ÿšข ship

 ๐Ÿ˜™ kissing face with smiling eyes (whistling)
 ↩ leftwards arrow with hook (back)
)
 ๐Ÿ‘„ mouth
(
 ๐Ÿ’Ž gem stone (gold tooth)
 ✨ sparkles
)

 ๐Ÿ‘ฟ imp
๐Ÿ’ฌ speech balloon
(
 ๐Ÿ™ folded hands (prayer/thanks)
 ๐Ÿ‘ด older man (old chap)
 ๐Ÿ“ด  mobile phone off (switch off current)
)

 ๐Ÿ‘ฟ imp
 ๐Ÿ‘€ eyes
 ๐Ÿ” examine critically
 ๐Ÿ™ sad (frowning)

 ๐Ÿ™ sad (frowning)
๐Ÿ‘€ eyes
 ๐Ÿ‘ฟ imp
 ๐Ÿ’ฐ money bag (wealthy patron)




๐Ÿ‘‘ crown
๐Ÿ™ priest



 ๐Ÿ‘ฟ imp
☺️smiles

๐Ÿ‘ฅ 2nd person
๐Ÿ“› name
๐Ÿ—ฟ ancient
๐Ÿ‘‰ points
๐Ÿ˜ laughs

๐Ÿ‘ค 1st person
๐Ÿ“› name
☳ dactyl x2
๐Ÿ’ƒdances like
๐Ÿ buck
goat (buck)


๐Ÿ‘ฌ us
๐Ÿšข ship
๐Ÿ’ท pound



eyes
money bag (wealthy patron)
white smiling face
white right pointing backhand index
face with stuck-out tongue and tightly-closed eyes
goat (buck)
๐Ÿ‡ฌ๐Ÿ‡ท Greek flag
pound
two men holding hands (SD and BM)
sos (SD asks help)
hotel (hospitality)
bust in silhouette, guest account (Haines)
graduation cap (Oxford manner)
British flag
grimacing face (sneers at SD)
hocho (Kinch)

speech_balloon (SD)
night with stars
sleeping symbol
ghost (dream)
leopard (black panther)
pistol
face screaming in fear
swimmer (Mulligan)
flexed biceps (brave?)

missing:


p5 emoji: shit, nose, sweat, scroll, flag, face-massage, litter, palette, face-wind, honey, mother, closed book, open book, scroll, alphabet, ship, eyes, aunt, kill, mother, prayer, collision, imp, okay, actor, sleeping, ghost, mother

paraphrase: 'shit' nose-scroll-flag face-massage litter palette, wind, sea sweet mother, teach original book-scroll, aunt thinks killed mother begging prayer, SD sinister but okay actor; mother dream ghost


pile of poo (Scutter)
nose
splashing sweat (work, temperature, nerves, snot?)
scroll (rag)
waving white flag (rag)
face massage
put litter in its place
artist palette (artcolour)
wind blowing face
�� water wave (sea)
honey pot (sweet)
older woman (mother)
closed book
open book
scroll (original text)
abcd (teach)
ship
eyes
older woman (aunt)
hammer (attack, kill dead)
older woman (mother)
skull (dead)
can indicate sorrow or regret; can indicate pleading, person with folded hands (prayer, request)
collision symbol
imp (sinister)
๐Ÿ‘Œ lovely
๐ŸŽญ mummer
sleeping symbol
ghost
older woman (mother)

missing: rag/cloth


p6 emoji: frown, wave, stew, sweat, medical, broken heart, halo, imp, registered, hooked arrow, shoe, vote, question, pants, free; clapping princess 100% congrats, thumbs down exx cancelled, left-lens, joker, deep respect; speech medical alien-hospital, SD alien when mask removed,

paraphrase:

person frowning (SD)
�� water wave (bay)
resembles
�� pot of food, stew
splashing sweat (bile)
face with medical mask
broken heart

smiling face with halo
imp
® registered sign (my)
leftwards arrow with hook (lends?)
�� mans shoe (breeks)

offers, asks
black_square_button (vote yes or no?)
black question mark ornament
�� jeans, pants
๐Ÿ†“ squared free

praises looks (BM praises SD)
clapping hands sign
like a princess
๐Ÿ’ฏ hundred points symbol
circled ideograph congratulation

SD refuses offer
๐Ÿ‘Ž thumbs down sign
negative_squared_cross_mark
๐Ÿ”• bell with cancellation stroke

wrong color, grey not black
๐Ÿ” left-pointing magnifying glass (critical inspection?)
black_joker (disrespectful?)
๐Ÿ™‡ person bowing deeply

speech_balloon
face with medical mask
hospital
extraterrestrial alien (looney bin)

said you are
person frowning

take off mask
leftwards black arrow (reverse)
performing arts "��" (mimicry motif? put on mask)

extraterrestrial alien (gpi)

�� person raising both hands in celebration
�� optical disc (signal mirror)
�� globe with meridians

person frowning
�� optical disc (mirror)
�� dog face

mirror is cracked
�� optical disc (mirror)
collision symbol
girl
face massage (servant)
�� dog face (homely)

not
woman with bunny ears
�� face with no good gesture
�� squared ng
�� thumbs down sign

japanese_goblin (Caliban)
�� optical disc (mirror)
�� antenna with bars
�� chart with downwards trend
�� face with no good gesture
�� squared ng
�� thumbs down sign
angry face



p7 emoji:

paraphrase:

�� optical disc (mirror)
collision symbol
girl
face massage

symbol of
leftwards black arrow (reverse)
performing arts "��" (mimicry motif? put on mask)

art
japan (Ireland)

two men holding hands
smiling face with open mouth and cold sweat

more spirit:
dancer (storyteller? flirt?)
bride with veil
sparkling heart = joy?
sparkles
glowing star

compare:
�� hundred points symbol

fearful face
black nib
hocho

leftwards black arrow (reverse)
performing arts "��" (mimicry motif? put on mask)
art
japan (Ireland)

�� currency exchange (haggles? sells?)
bust in silhouette, guest account
pound


bust in silhouette, guest account
older man
money bag (Guinnesses? ReubenJ?)
�� currency exchange (haggles? sells?)
pill
�� monkey

if
two men holding hands
then
japan (Ireland)
dancer (Hellenise)


person with blond hair
person with blond hair
�� house with garden
�� school
performing arts "��" (mimicry motif? put on mask)
japanese_goblin
hocho
haircut
face with stuck-out tongue and tightly-closed eyes

�� ox
fearful face


person bowing deeply
face with ok gesture

�� spouting whale



missing: castration??



p8 emoji:

paraphrase:


anguished face
speech_balloon

in the past
smirking face
speech_balloon
older woman
skull
�� meat on bone (beastly dead)

flushed face
can indicate sorrow or regret; can indicate pleading, person with folded hands
older woman

speech_balloon
smirking face
can indicate sorrow or regret; can indicate pleading, person with folded hands
older woman
�� thumbs down sign

smirking face
can indicate sorrow or regret; can indicate pleading, person with folded hands
heavy large circle (targeting problem?)
anguished face

bomb